Regarded by Charles Dickens as his best novel upon publication, "Martin Chuzzlewit" relates a tale of familial selfishness and eventual moral redemption. First published serially from 1842 to 1844, it is the story of young Martin Chuzzlewit, who has been raised by his grandfather. He has fallen in love with his grandfather's ward and caretaker, the young orphan Mary Graham. Martin's grandfather does not approve and young Martin alienates himself from...

Alexandra Fuller tells the idiosyncratic story of her life growing up white in rural Rhodesia as it was becoming Zimbabwe. The daughter of hardworking, yet strikingly unconventional English-bred immigrants, Alexandra arrives in Africa at the tender age of two. She moves through life with a hardy resilience, even as a bloody war approaches. Narrator Lisette Lecat reads this remarkable memoir of a family clinging to a harsh landscape and the dying tenets...

The Four Feathers, by A. E. W. Mason, is part of the Barnes & Noble Classics series, which offers quality editions at affordable prices to the student and the general reader, including new scholarship, thoughtful design, and pages of carefully crafted extras. Here are some of the remarkable features of Barnes & Noble Classics: • New introductions commissioned from todays top writers and scholars • Biographies of the authors • Chronologies of...

"In 1862, Arabella Lawrence fled past mistakes on a bride ship. Vying for her hand are two very different men who disagree on how the natives should be treated during a smallpox outbreak. Intent on helping a young girl abandoned by her tribe, seeking what's right may cost her everything"--

Captured by a psychopath posing as an interested house buyer, realtor Annie spends a brutally traumatic year in captivity in a remote mountain cabin and recounts her experiences and dramatic escape to her therapist while agonizing over the ongoing policesearch for her captor.

A historical novel that tells the story of painter Emily Carr, who shook up the early 20th century art scene with uncompromising brushstrokes that captured the fading wilderness of an increasingly industrialized British Columbia as well as the indigenous villages, the tribal peoples and their dying customs and art forms.